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COREY HENRY & THE FUNKTETS
Henry himself is perhaps best recognized around the world as
the sweet toned trombonist featured in the Rebirth Brass Band, Galactic, and
trumpeter Kermit Ruffins’ band, The Barbecue Swingers. He has also recorded and played with
the Dirty Dozen, Treme and New Birth Brass Bands. He has imparted his fiery
melodies on stages everywhere from New Orleans neighborhood barrooms to far
away festivals before hundreds of thousands in Canada, Japan Australia, Brazil,
Hungary, Spain and Thailand and command performances for the ambassadors of
Senegal, Morocco, Egypt and Kuwait.
Long before teaming up with
any these vanguard ensembles however, Henry, now 36, had been leading his own
band for over twenty years.
Like so many other eager young musicians in the Crescent City, he hung
around older musicians to build his skills and develop his style. In 1985, the legendary musician,
Anthony “Tuba Fats” Lacen, encouraged the 10-year-old prodigy, suggesting he
put a band together. The Lil’
Rascals Brass Band has been together now for 26 years, still challenging second
liners and rival bands with its hot beats. The ensemble has released two fine, very diverse
albums. In 1998, they demonstrated
their respect for traditional brass band music on We Shall Walk Through the
Streets of the City which includes
such classic numbers as “Paul Barbarin’s Second Line.” And in 2001 they
released Buck It Like a Horse, a disc filled with sizzling original material,
redefining a new era of brass band music.
Since 2008, Henry has been touring with Galactic and has recorded 3
albums with them.In 2011, Henry started a new venture, establishing the Treme
Funktet. It’s a funky sextet that’s comfortable moving from jazz to R&B and
hip-hop, with an occasional visit to the second-line brass band style. “I wanted to explore something
different—do some of my own material and share some of my own ideas,” Henry
says of the freedoms offered by Treme Funktet. In 2012, Henry is a Grammy
Winner with the Rebirth Brass Band for the album Rebirth of New Orleans in the
Best Regional Roots Category. Now
working on his solo album, Corey Henry plans to pay tribute to all the veteran
New Orleans musicians from whom he learned his craft, absorbing all they had to
offer. As a kid, he’d spend hours
listening to trombonists like Trummy Young, J.J. Johnson, Al Grey and Jack
Teagarden. He hails Fred Wesley as
being especially influential to his musical approach. But no matter their style, these masters remain with Henry
contributing to his wonderfully uncommon sophistication and tone.
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